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No description can give any adequate idea of their singular majesty, much less their beauty. Excepting the sugar-pine, most of their neighbors with pointed tops seem to be forever shouting Excelsior, while the Big Tree, though soaring above them all, seems satisfied, its rounded head, poised lightly as a cloud, giving no impression of trying to go higher. Only in youth does it show like other conifers a heavenward yearning, keenly aspiring with a long quick-growing top. Indeed the whole tree for the first century or two, or until a hundred to a hundred and fifty feet high, is arrowhead in form, and, compared with the solemn rigidity of age, is as sensitive to the wind as a squirrel tail. The lower branches are gradually dropped as it grows older, and the upper ones thinned out until comparatively few are left. These, however, are developed to great size, divide again and again, and terminate in bossy rounded masses of leafy branchlets, while the head becomes dome-shaped. Then poised in fullness of strength and beauty, stern and solemn in mien, it glows with eager, enthusiastic life, quivering to the tip of every leaf and branch and far-reaching root, calm as a granite dome, the first to feel the touch of the rosy beams of the morning, the last to bid the sun good-night.

Perfect specimens, unhurt by running fires or lightning, are singularly regular and symmetrical in general form, though not at all conventional, showing infinite variety in sure unity and harmony of plan. The immensely strong, stately shafts, with rich purplish brown bark, are free of limbs for a hundred and fifty feet or so, though dense tufts of sprays occur here and there, producing an ornamental effect, while long parallel furrows give a fluted columnar appearance. It shoots forth its limbs with equal boldness in every direction, showing no weather side. On the old trees the main branches are crooked and rugged, and strike rigidly outward mostly at right angles from the trunk, but there is always a certain measured restraint in their reach which keeps them within bounds. No other Sierra tree has foliage so densely massed or outline so finely, firmly drawn and so obediently subordinate to an ideal type. A particularly knotty, angular, ungovernable-looking branch, five to eight feet in diameter and perhaps a thousand years old, may occasionally be seen pushing out from the trunk as if determined to break across the bounds of the regular curve, but like all the others, as soon as the general outline is approached the huge limb dissolves into massy bosses of branchlets and sprays, as if the tree were growing beneath an invisible bell glass against the sides of which the branches were moulded, while many small, varied departures from the ideal form give the impression of freedom to grow as they like.

Except in picturesque old age, after being struck by lightning and broken by a thousand snowstorms, this regularity of form is one of the Big Tree’s most distinguishing characteristics. Another is the simple sculptural beauty of the trunk and its great thickness as compared with its height and the width of the branches, many of them being from eight to ten feet in diameter at a height of two hundred feet from the ground, and seeming more like finely modeled and sculptured architectural columns than the stems of trees, while the great strong limbs are like rafters supporting the magnificent dome head.

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