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There is another way out of the difficulty that besets our rational faculties in their efforts to solve this question, and that is the audacious way of Henri Bergson in his “Creative Evolution.” It is to deny any validity to the conclusion of our logical faculties upon this subject. Our intellect, Bergson says, cannot grasp the true nature of life, nor the meaning of the evolutionary movement. With the emphasis of italics he repeats that “the intellect is characterized by a natural inability to comprehend life.” He says this in a good many pages and in a good many different ways; the idea is one of the main conclusions of his book. Our intuitions, our spiritual nature, according to this philosopher, are more en rapport with the secrets of the creative energy than are our intellectual faculties; the key to the problem is to be found here, rather than in the mechanics and chemistry of the latter. Our intellectual faculties can grasp the physical order because they are formed by a world of solids and fluids and give us the power to deal with them and act upon them. But they cannot grasp the nature and the meaning of the vital order.

“We treat the living like the lifeless, and think all reality, however fluid, under the form of the sharply defined solid. We are at ease only in the discontinuous, in the immobile, in the dead. Perceiving in an organism only parts external to parts, the understanding has the choice between two systems of explanation only: either to regard the infinitely complex (and thereby infinitely well contrived) organization as a fortuitous concatenation of atoms, or to relate it to the incomprehensible influence of an external force that has grouped its elements together.”

“Everything is obscure in the idea of creation, if we think of things which are created and a thing which creates.” If we follow the lead of our logical, scientific faculties, then, we shall all be mechanists and materialists. Science can make no other solution of the problem because it sees from the outside. But if we look from the inside, with the spirit or “with that faculty of seeing which is immanent in the faculty of acting,” we shall escape from the bondage of the mechanistic view into the freedom of the larger truth of the ceaseless creative view; we shall see the unity of the creative impulse which is immanent in life and which, “passing through generations, links individuals with individuals, species with species, and makes of the whole series of the living one single immense wave flowing over matter.”

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