Post 24319
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The water ouzel, in his rocky home amid foaming waters, seldom sees a gun, and of all the singers I like him the best. He is a plainly dressed little bird, about the size of a robin, with short, crisp, but rather broad wings, and a tail of moderate length, slanted up, giving him, with his nodding, bobbing manners, a wrennish look. He is usually seen fluttering about in the spray of falls and the rapid cascading portions of the main branches of the rivers. These are his favorite haunts; but he is often seen also on comparatively level reaches and occasionally on the shores of mountain lakes, especially at the beginning of winter, when heavy snowfalls have blurred the streams with sludge. Though not a water-bird in structure, he gets his living in the water, and is never seen away from the immediate margin of streams. He dives fearlessly into rough, boiling eddies and rapids to feed at the bottom, flying under water seemingly as easily as in the air. Sometimes he wades in shallow places, thrusting his head under from time to time in a nodding, frisky way that is sure to attract attention. His flight is a solid whir of wing-beats like that of a partridge, and in going from place to place along his favorite string of rapids he follows the windings of the stream, and usually alights on some rock or snag on the bank or out in the current, or rarely on the dry limb of an overhanging tree, perching like a tree bird when it suits his convenience. He has the oddest, neatest manners imaginable, and all his gestures as he flits about in the wild, dashing waters bespeak the utmost cheerfulness and confidence. He sings both winter and summer, in all sorts of weather,—a sweet, fluty melody, rather low, and much less keen and accentuated than from the brisk vigor of his movements one would be led to expect.
How romantic and beautiful is the life of this brave little singer on the wild mountain streams, building his round bossy nest of moss by the side of a rapid or fall, where it is sprinkled and kept fresh and green by the spray! No wonder he sings well, since all the air about him is music; every breath he draws is part of a song, and he gets his first music lessons before he is born; for the eggs vibrate in time with the tones of the waterfalls. Bird and stream are inseparable, songful and wild, gentle and strong,—the bird ever in danger in the midst of the stream’s mad whirlpools, yet seemingly immortal. And so I might go on, writing words, words, words; but to what purpose? Go see him and love him, and through him as through a window look into Nature’s warm heart.
The joyful, songful streams of the Sierra are among the most famous and interesting in the world, and draw the admiring traveler on and on through their wonderful cañons, year after year, unwearied. After long wanderings with them, tracing them to their fountains, learning their history and the forms they take in their wild works and ways throughout the different seasons of the year, we may then view them together in one magnificent show, outspread over all the range like embroidery, their silvery branches interlacing on a thousand mountains, singing their way home to the sea: the small rills, with hard roads to travel, dropping from ledge to ledge, pool to pool, like chains of sweet-toned bells, slipping gently over beds of pebbles and sand, resting in lakes, shining, spangling, shimmering, lapping the shores with whispering ripples, and shaking over-leaning bushes and grass; the larger streams and rivers in the cañons displaying noble purity and beauty with ungovernable energy, rushing down smooth inclines in wide foamy sheets fold over fold, springing up here and there in magnificent whirls, scattering crisp clashing spray for the sunbeams to iris, bursting with hoarse reverberating roar through rugged gorges and boulder dams, booming in falls, gliding, glancing with cool soothing murmuring, through long forested reaches richly embowered,—filling the grand cañons with glorious song, and giving life to all the landscape.