Post 00803
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However orderly your excursions or aimless, again and again amid the calmest, stillest scenery you will be brought to a standstill hushed and awe-stricken before phenomena wholly new to you. Boiling springs and huge deep pools of purest green and azure water, thousands of them, are plashing and heaving in these high, cool mountains as if a fierce furnace fire were burning beneath each one of them; and a hundred geysers, white torrents of boiling water and steam, like inverted waterfalls, are ever and anon rushing up out of the hot, black underworld. Some of these ponderous geyser columns are as large as sequoias,—five to sixty feet in diameter, one hundred and fifty to three hundred feet high,—and are sustained at this great height with tremendous energy for a few minutes, or perhaps nearly an hour, standing rigid and erect, hissing, throbbing, booming, as if thunderstorms were raging beneath their roots, their sides roughened or fluted like the furrowed boles of trees, their tops dissolving in feathery branches, while the irised spray, like misty bloom is at times blown aside, revealing the massive shafts shining against a background of pine-covered hills. Some of them lean more or less, as if storm-bent, and instead of being round are flat or fan-shaped, issuing from irregular slits in silex pavements with radiate structure, the sunbeams sifting through them in ravishing splendor. Some are broad and round-headed like oaks; others are low and bunchy, branching near the ground like bushes; and a few are hollow in the centre like big daisies or water-lilies. No frost cools them, snow never covers them nor lodges in their branches; winter and summer they welcome alike; all of them, of whatever form or size, faithfully rising and sinking in fairy rhythmic dance night and day, in all sorts of weather, at varying periods of minutes, hours, or weeks, growing up rapidly, uncontrollable as fate, tossing their pearly branches in the wind, bursting into bloom and vanishing like the frailest flowers,—plants of which Nature raises hundreds or thousands of crops a year with no apparent exhaustion of the fiery soil.
The so-called geyser basins, in which this rare sort of vegetation is growing, are mostly open valleys on the central plateau that were eroded by glaciers after the greater volcanic fires had ceased to burn. Looking down over the forests as you approach them from the surrounding heights, you see a multitude of white columns, broad, reeking masses, and irregular jets and puffs of misty vapor ascending from the bottom of the valley, or entangled like smoke among the neighboring trees, suggesting the factories of some busy town or the camp-fires of an army. These mark the position of each mush-pot, paint-pot, hot spring, and geyser, or gusher, as the Icelandic words mean. And when you saunter into the midst of them over the bright sinter pavements, and see how pure and white and pearly gray they are in the shade of the mountains, and how radiant in the sunshine, you are fairly enchanted. So numerous they are and varied, Nature seems to have gathered them from all the world as specimens of her rarest fountains, to show in one place what she can do. Over four thousand hot springs have been counted in the park, and a hundred geysers; how many more there are nobody knows.
These valleys at the heads of the great rivers may be regarded as laboratories and kitchens, in which, amid a thousand retorts and pots, we may see Nature at work as chemist or cook, cunningly compounding an infinite variety of mineral messes; cooking whole mountains; boiling and steaming flinty rocks to smooth paste and mush,—yellow, brown, red, pink, lavender, gray, and creamy white,—making the most beautiful mud in the world; and distilling the most ethereal essences. Many of these pots and caldrons have been boiling thousands of years. Pots of sulphurous mush, stringy and lumpy, and pots of broth as black as ink, are tossed and stirred with constant care, and thin transparent essences, too pure and fine to be called water, are kept simmering gently in beautiful sinter cups and bowls that grow ever more beautiful the longer they are used. In some of the spring basins, the waters, though still warm, are perfectly calm, and shine blandly in a sod of overleaning grass and flowers, as if they were thoroughly cooked at last, and set aside to settle and cool. Others are wildly boiling over as if running to waste, thousands of tons of the precious liquids being thrown into the air to fall in scalding floods on the clean coral floor of the establishment, keeping onlookers at a distance. Instead of holding limpid pale green or azure water, other pots and craters are filled with scalding mud, which is tossed up from three or four feet to thirty feet, in sticky, rank-smelling masses, with gasping, belching, thudding sounds, plastering the branches of neighboring trees; every flask, retort, hot spring, and geyser has something special in it, no two being the same in temperature, color, or composition.